The last of 2011’s yarn miscalculations was rectified early last month when I completed my woodland capelet. Unlike Matt’s scarf, I only slightly miscalculated how much yarn was needed for this project and like Matt’s scarf, it was a fellow knitter on Ravelry who helped me out.

Woodland Capelet by Susan Mills
200g(ish) Bendigo Woollen Mills Allegro, Scarlet
5.00mm needles
Started: September 2011
Finished: May 2012
Ravelryed: here

It wasn’t finished in time for Capril nor the last of the warm weather, but I’m glad it’s finished all the same. It’s an easy pattern, but constant increasing and decreasing meant that I had to be paying at least a little bit of attention while knitting it. I think the scalloped edge turned out really well and the ties look quite good in garter stitch. The only reservation I have with the pattern is the shaping around the shoulders. The method used to create the darts was a bit fiddly, and resulted in it looking a bit lumpy at the top of the capelet. It is still an entirely wearable garment, but I can’t help but think there must be a better way to incorporate shaping into an item knit from side to side. I doubt that short rows would really work in this instance, so what that better way is, I don’t know.

This yarn was a problem child in my stash. It was an undersized ball of yarn purchased from the Bendigo Woollen Mills, and was going to be used for contrast heels and toes. Then it was going to be a pair of knee high Kalajokis. Finally, it ended up as this capelet. Even though it had a tendency to split from the get go, it held up remarkably well to being frogged and reknit many times.

The colourway I used, Scarlet, had a few strands of red-orange mixed in with the red. When it was knit up, the contrasting orange meant the fabric had very subtle variations in colour which I think worked well. If memory serves me right, all the colourways in the second edition of Allegro had darker contrast colours, which wasn’t as subtle and a little less to my liking. All of this is more or less useless trivia, as Allegro was one of Bendigo Woollen Mills’ limited edition yarns and it appears to be sold out.

With the exception of Pickadilly, which is coming along quite well, my backlog of 2011 WIPs has now been cleared. This means I need to start thinking about an appropriate celebration when the backlog has been properly cleared. At the moment, I think a tickertape parade through the middle of Melbourne would suffice…

There are a few things I mentioned in previous posts that require updates. One is ginger beer, the other is Pickadilly. The only impediments to me posting updates have been time and light. Time, or lack thereof, is a common ailment, as is light at this time of year. The days are shorter and the light levels have been hovering around ‘miserable’. In some ways the light situation has been a blessing, as it allows me to make some real proper progress on my craft projects. This is definitely the case for Pickadilly.

Almost as soon as I posted about being off my knitting, I started working on Pickadilly again. In between my last post about Pickadilly and now, I did the following:

• Ripped the sleeve and body back to the yoke
• Shortened the yoke by a few rows, making the armhole a little bit smaller and reducing the amount of fabric underneath my arm
• Started the decreases for the sleeves earlier, and added more decreases in total

As a result, my Pickadilly now comes with a fully functional sleeve. I cannot lie, it was a battle getting the sleeve to a point where I was happy with the shaping. However, once it was actually done, it felt like a victory rather than just being another completed part of the project. The shaping isn’t perfect by any means. There’s probably still a bit of excess fabric under the the arm, but I still feel it’s an improvement on previous attempts. In other words, I will not be attempting the sleeve again. Now that the sleeve shaping issues have been solved (more or less), I hope that my fixation with the amount of fabric under my arms will end. It’s a bit disturbing.

The second sleeve is now underway and, predictably, it feels like it’s working up a lot faster than the first. I have started and finished the decreases and it’s well past the elbow. Something that has helped the progress of the sleeve is cold nights combined with TV. In particular, I’ve started watching Friday Night Lights after reading lots of positive bits and pieces on twitter and on DrK’s blog. It’s one of those shows that I could quite happily watch episode after episode, but Matt is rationing it out. This is probably to stop my eyes from going square. Even with the rationing, it’s provided a good amount of uninterrupted knitting time.

Although it’s been a relief to be making good progress on Pickadilly, it feels strange to be working on something modern. Since mentioning the year of vintage knits last month, my knitterly thoughts have been largely taken up by mental notes and plans for next year. I’ve started looking through my pattern collection and pairing patterns with stash, and started thinking about yarn I might need to buy for particular patterns. I’m not sure how many FOs I’ll end up with next year, but I’m looking forward to the process. It’s going to be fun.

I’ve gone off my knitting at the moment. While I wait for the joy of knitting to return, I’ve been doing some sewing.

My relationship with sewing is a slightly strange one; I really like the idea of making my own clothes, quilts, bags etc. but making the leap from thinking it’s a good idea to actually sitting at a sewing machine has always been a challenge. I’ve made a couple of garments in the past which turned out OK, but have never felt particularly comfortable or confident when using my machine. It’s a skill that hasn’t yet clicked for me like knitting did, which has meant that every little hiccup along the way has been met with frustration rather than an acceptance of it as part of the learning process. Really, why can’t it just work?

After finding a great little metal body Bernina at an op shop late last year (I’ll save that tale for another post), I began to get frustrated at the fact I kept getting frustrated with sewing. Like a dog chasing its tail, my frustration went around and around, faster and faster until I stopped and found a sewing e-course that looked interesting. It started at a point below my current level of sewing knowledge, but to my mind that was a good thing; it would help to reinforce the fundamentals I learnt in Year 7 textiles.

The most recent project I made from this course was this tote. It’s quite a simple project, but I’m really happy with how it turned out. I deviated from the pattern a little bit by shortening the side panels and adding a contrast panel down the bottom and it worked out just fine. The contrast panel is some upholstery weight fabric I found in an op shop years ago. It was found on a rainy day, a couple of hours before my shift started at work. I distinctly remember holding onto this small bolt of fabric (the cardboard tube had broken so it was flopping around all over the place), trying not to let it get too wet or hit fellow commuters while taking multiple forms of public transport to work. It was one of my more awkward commutes and it must have been at least a little bit embarrassing for my poor friend (and workmate) who was shopping and then commuting with me.

Yes, anyway, this tote. I’m still a long way from being able to make my own clothes, but this project feels like a turning point. There were a couple of times where things didn’t go quite to plan, but it didn’t elicit the usual response of frustration. I just stopped what I was doing, got my seam ripper out and started again.

As for the course, I have mixed feelings about it. There are a couple of little things that I’m concerned about, but I’ll wait until I’ve completed more of the course before posting my thoughts. In the meantime, the course has meant that I’ve been sewing and I want to keep sewing. The sewing outlook is positive so far, and that’s the most important thing.

There’s a cafe not too far away from my house called Little Deer Tracks. Among other things, they make very good baked beans. As much as I’d like to be eat breakfast there every day, it’s not really possible or financially sensible. The only solution to this is to make my own baked beans for those times I can’t enjoy Little Deer Tracks’ baked beans.

The recipe is adapted from the DIY Baked Beans recipe on Taste.com.au. It’s a little different to the beans I’ve had at Little Deer Tracks, but they’re still good in their own way. This amount should easily feed two to three people if the beans are the main part of the meal, and four or more if it’s a side dish.

Smokey Baked Beans

Ingredients:
2 teaspoons olive oil
1 small brown onion, diced finely
1 teaspoon smoked paprika (see notes)
1 tablespoon golden syrup
400 gram can of crushed tomatoes (see notes)
2 400 gram cans of 4 bean mix, drained and rinsed
salt to taste

Method:

• Heat the oil in a medium saucepan over medium heat. Add onion and cook until it is soft, and golden brown in colour. This took around 5-8 minutes for me.
• Add the smoked paprika to the onions and stir to coat the onions. Cook for about 30 seconds until the smoked paprika becomes really fragrant.
• Add the golden syrup and stir to coat the onion/paprika mix. Let it cook for 30 seconds to a minute so the onion begins to caramelise slightly.
• Stir in the can of tomatoes and bring to the boil. Once boiling, turn the heat down to a simmer. Allow the mixture to simmer until it starts to thicken up nicely. This took around 8 minutes for me. At this point you want the mixture to be thick enough to hold the beans, but not so thick that it becomes a paste.
• Add the beans and stir through the tomato sauce. Cook, stirring often, for 2-3 minutes to allow the beans to heat through.
• Add salt to taste.

Notes:

• The smoked paprika adds a nice amount of smokey flavour and spicy warmth. For the smokiness without the spice, liquid smoke can be purchased online (we bought some from here) or at specialty grocers. I’ve not seen it for sale at either of the two large supermarket chains (but am happy to be corrected).
• I used crushed, rather than diced, tomatoes in this recipe as I wanted a smoother tomato sauce. A sauce using diced tomatoes would be chunkier, but would probably require more cooking time to thicken.

Last Saturday the Brunswick Mini Wool Expo was held at the Brunswick Town Hall. It’s a pleasant way to spend time on a Saturday morning, running into and chatting with friends, looking at yarn and, in my case, sorting through old patterns. I didn’t buy any yarn this year, but did spend quite a bit of time going through piles and piles of old patterns. In the end, I picked up quite a nice collection of bits and bobs to add to the pattern stash.

There are lots of patterns in this mini-haul that I would knit, but this one is my favourite:

There’s nothing particularly exciting about a stocking stitch jumper with seed stitch trim, but it does remind me of a jumper worn by a lady in a vintage shop I visited nearly ten years ago. Even though it was a long time ago, I still remember it pretty well; it had the same high cross over, but it didn’t have any buttons and the sleeves were a tad longer. It’s a jumper that I’ve wanted to make for myself, and I even went so far as to sketch it a couple of times. Like a lot of things, it never got past being a kernel of an idea, so I was really excited to come across this pattern. It’s unlikely that I’ll be making it this year, but I’ve started thinking about colours already. So far light yellow, mustard yellow and brown are the front runners.

It’s always fun to pick up ‘new’ vintage patterns, but this mini-haul also reminded me that my pattern stash is a bit of a mess at the moment. I really need to sit down and spend some quality time with both my yarn and pattern stashes to get them more organised and to also pare them down. The biggest problem I have with my vintage pattern stash is that I never seem to use it. The hunt for ‘new’ pattern books is always fun, but that seems to be where it ends. There’s very few patterns that I’ve collected that have turned into finished objects, and yet they’re some of the projects I’ve been most proud of.

Perhaps next year can be a year of vintage patterns? There are certainly more than enough patterns in my stash that I’m interested in making, and by then my yarn stash should be small enough to accommodate more yarn… I might be calling it too early, but I’m going to do it now. 2013 is going to be a year of knitting from vintage patterns.

From a knitting perspective, last year was quite frustrating. On more that one occasion, I managed to run out of yarn before finishing a project. Some times it was by a just a small amount, other times I was completely off the mark. Running out of yarn is not something that I’m used to; in fact, I tend to buy way too much yarn. The cardigan that was in the last blog post? It’s being knit from yarn left over from Matt’s Henry scarf.

The Man Scarf was one project from last year that was a victim of my dufferism. I used the Ixchel Bison + Bamboo I won (and subsequently bought more of) at the Bendigo Sheep and Wool Show last year. This yarn has terrific yardage for an 8ply so at the time I thought I could get a Matt-sized scarf out of two skeins. I’m not a natural-born optimist so cannot imagine why I felt so confident about getting a long scarf out of 100g/320m. In any case, I was really wrong.

As the second skein ran out, the scarf looked short but I thought it might be ok if Matt wore it under jackets. When Matt tried it on, he looked like Laurel wearing one of Hardy’s short ties. It really wasn’t wearable as a two-skein scarf. Then I found out Charly from Ixchel fibres had sold out of the yarn. I wasn’t mentally prepared for the yarn to be anything but a Man Scarf, so I asked for another skein on Ravelry. As it was not a widely sold, easily accessible yarn, I didn’t hold much hope of finding another skein. Again, I was wrong.

Within an hour I had an offer of a skein. Within a couple of days the yarn was in my possession and I could finish Matt’s scarf. Saved from knitting peril, not for last time, by the kindness of strangers.

Man by ankestrick/fallmasche
Just shy of three skeins of Bison + Bamboo by Ixchel Fibres
4.00mm needles
Started: Septemberish 2011
Finished: April 2012
Modifications: knit 23 rows between sets of pleats rather than 24
Ravelryed: here

This scarf is essentially stocking stitch with some horizontal pleats. It doesn’t seem that exciting, but the the horizontal pleats are fun to knit and they add a nice bit of texture to the smooth stocking stitch fabric. Because it is stocking stitch, the scarf has a lifelong ambition to curl. This isn’t a big issue for Matt as he tends to wear his scarves in a way that is conducive to curling anyway.

The modification to knit one less row in between sets of pleats was to account for either an error in the pattern or an error in my interpretation of the pattern. The pleats are always worked on the wrong side of the fabric, so in my mind I needed to work an odd number of stocking stitch rows in between sets of pleats. Besides that possible error, the pattern was pretty easy to follow.

The yarn was really lovely to work with. The softness in the skein translates into soft, smooth fabric, and the bamboo content gives the yarn a lovely sheen. If I could buy more I would, but would probably stick to making smaller accessories with it. With all that bamboo, I’d be worried that a larger, heavier garment made from this yarn would lose its shape.

While this was a slightly suspenseful knit, the little bit of running around to find enough yarn to finish it was worth it. Before casting on, I had some doubts about whether it was the right yarn for the pattern, and vice versa. Soon after casting on, my doubts disappeared. The colour and texture of the yarn was just right for the scarf. I can’t imagine making it in any other yarn.

Just over a year ago, I threw a mild tantrum about a cardigan I really wanted to make, but the pattern and I were not friends. The last time it was mentioned, it looked like this:

Now that the hissy fit is finally over, I frogged what was left of it, reswatched and started again. This is what the cardigan looks like now:

The sleeves are now one inch narrower than last time, so while it might not look that different, the sleeves feel more fitted and I’m happier with how it’s looking. While the sleeves are a bit more fitted, there’s still an issue of fabric bunching under my armpit. I know I need a some ease around the armpits so I can move my arms around without fear of tearing the fabric, but I think the armholes need to be a little less deep. So, I’ll be wading into the shallows of the frog pond to make the yoke a little shorter.

Frogging this time round won’t be as painful as before, as I’m knitting the sleeves before the body rather than the other way around. It’s a lesson I learnt last time; issues with shaping the body can be fixed without frogging, but issues with the tops of the sleeves will generally mean frogging the yoke. I’d rather not have to rip back my knitting, but as there’s some trial and error in getting the fit right, it’s pretty much an inevitability.

Something which has crossed my mind a couple of times is whether it’s worth retrying this pattern. After all, it’s a project that made me feel so frustrated that I had to put it aside and not look at it for a year. Even with that time and frustration I still like the cardigan, want to make it and want to wear it. There’s no doubt that I’m being at least a little bit stubborn about not giving up, but if I want the final product, then there’s some logic to battling on for at least a little longer.

The Jan Sweater from A Stitch in Time, Volume 2
Yarn: Bendigo Woollen Mills Luxury 4ply, Brick
Needles: 2.75mm and 3.25mm
Modifications: Made the body longer, sewed up the neck to make the neck opening smaller
Started: February 2012
Finished: April 2012
Ravelryed: here

If you are contemplating knitting this jumper, stop what you’re doing and cast on. It’s an easy, but fun, pattern and it makes a lovely top. I really enjoyed making it, and since finishing it a week ago, I’ve worn it a couple of times. It’s the first pattern I’ve made from the Stitch in Time series (despite buying the first volume nearly three years ago) and I’m simultaneously impressed and kicking myself for not starting on patterns from the books earlier.

The usual modification of lengthening the body applied to this pattern. The other modification was to make the neck opening substantially smaller (by about 10cm on each side). I think this makes the top more casual than if the neck was left completely open, but I feel more comfortable with my shoulders covered up.

While seaming it up, I started to become concerned about the blousing above the ribbing. During a mid-seaming try-on session, the blousiness was creating doubt about whether this top was going to work for my body shape. However, as soon as the sleeves were set, it all balanced out and order was restored to the world.

As a side note, I should point out that for the size I made, the 34-36 inch, the sleeve cap only just stretches enough to fit in the armhole. I found there was little room for seaming error, but it looks fine when the sleeve’s set, and doesn’t feel tight or uncomfortable when worn.

This project was not my first experience with Bendigo Woollen Mills’ Luxury, but it was the first time I’d used the 4ply version. It doesn’t seem logical that the difference between the two weights would be substantial, but I much preferred working with 4ply Luxury than 8ply Luxury. It’s soft, but feels fairly hard-wearing. I definitely want to use it again, and it makes me feel even sadder that I missed out on buying some Oceanic before it was discontinued.

It would probably make sense to use this momentum to cast on another vintage project or another project using Luxury 4ply. However, I’m going to do something a bit different; I’m going to be sensible and continue to finish off WIPs that really should have been finished a long time ago. Little by little, I’m becoming a somewhat responsible grown up.

Last weekend the ginger beer mentioned in this post was ready to drink. We used this recipe, and the only modification I made to it was to add heaped teaspoons of ginger to the plant to hopefully make it a bit spicier.

It turned out pretty well, but not quite the ginger beer I was looking for. It didn’t have the peppery, stomach warming bite that I’m a fan of and it was a little bit syrupy.

Even though it was a perfectly pleasant, drinkable ginger beer, I’m going to try another recipe. This one in Chow has piqued my interest because it uses fresh ginger, so should be a bit more stomach warming. I’m slightly concerned about the recipe relying on airborne yeast, rather than adding yeast, for fermentation, but it’s no great loss if it doesn’t work. After all, it’s only ginger, water, sugar and time at stake.

Public Service Announcement: this really is a post all about this year’s Bendigo Woollen Mills shade card. It contains spoilers, but may also cause drowsiness when consumed.

The month of March is full of excitement and anticipation for me, as it’s when the new Bendigo Woollen Mills shade card arrives. I don’t think I’ve explicitly mentioned it, though it might be already apparent; Bendigo Woollen Mills is my ‘go to’ brand of yarn. Many of my FOs are from BWM yarns, and their yarns make up a large part of my stash. I have a somewhat love/hate relationship with their colourways (there are often more insipid colours than you can poke a stick at), but it’s reasonably priced, decent quality, and there are enough decent colours to get by. Nevertheless, there’s always a little bit of nervousness mixed in with the excitement of receiving a new shade card, wondering which of my favourite colourways have got the boot this year.

This year’s shade card arrived yesterday, and it was out of the envelope quicker than you can say ‘I’ve got a golden ticket’. Just for fun, here’s a summary of changes between the 2011 and 2012 shade card:

Luxury

• Orange (shade number 330), Oceanic (331) and Red Earth (364) discontinued
• Sunflower (yellow, 344), Acorn (dark brown, 345) and Desert Pea (red, 346) included
• Frost (312), Purple Storm (367) and Brick (361) included in the 10 ply range, with no existing 10 ply shades discontinued

Classic

• Feijoa (615), Mid Green (655) and Mayfair (656) discontinued
• Passionfruit (purple, 749), Coffee Bean (red-brown, 750) and Burnt Rose (pink, 751) included to the 5 and 8 ply ranges
• The 2/3/12 ply range remains the same

Alpaca

• Replaced by Alpaca Rich, a 60/40 Alpaca/Wool blend. The colourways aren’t particularly comparable

Rustic

• Russet (938) discontinued
• Carbon (black, 929) included

The biggest change this year is the replacement of the pure Alpaca line with Alpaca Rich, an alpaca/wool blend. I don’t tend to use alpaca all that much so I don’t really have any thoughts either way on this change.

The changes that I took most notice of were in the Luxury colourways. I’m sad to see Oceanic go, as I thought it was a really nice shade of blue. Although I’m suffering from a stash management problem at the moment, I may have to stock up on some 4ply before it’s gone for good. The three new Luxury colourways, Sunflower, Acorn and Desert Pea, are of interest. Acorn is the nice rich dark brown that the Luxury line has needed since it was released. I suspect it will be fairly popular; hopefully popular enough that it sticks around for a few years. Sunflower and Desert Pea also look like good colourways, but they’re two colours that I’d want to see in the ball before buying. Shade cards are more useful than computer screens when looking at colours, but sometimes they’re not quite enough to get a good idea for what a particular colour will look like as a whole garment.

So, that’s the BWM shade card for this year. If you also receive their shade cards, I’d love to know what you think about this year’s card.